Butang Kot
http://i2.photobucket.com/albums/y21/fleurzsa/scan0412.jpgButang Baju Cekak musang
http://i2.photobucket.com/albums/y21/fleurzsa/scan0413.jpgCaping
http://i2.photobucket.com/albums/y21/fleurzsa/scan0415.jpgKelongsong Azimat
http://i2.photobucket.com/albums/y21/fleurzsa/scan0416.jpgPengantin Tradisional
http://i2.photobucket.com/albums/y21/fleurzsa/scan0419.jpg Originally posted by fleurzsa at 12-10-2006 05:29 PMhttp://i2.photobucket.com/albums/y21/fleurzsa/scan0409.jpg
pending ni apa kegunaan dia?
Reply #46 nurr_wilma's post
Pending tu kepala tali pinggang.Cuba u lihat gambar tali pinggang di atas... Originally posted by fleurzsa at 12-10-2006 05:29 PM
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Kebanyakan barang barang kemas pengantin ini, kebanyakannya semua lebih kurang sama dengan kesemua barang kemas yang ada di Malaysia dan lebih lebih lagi di Brunei Darussalam sendiri, akan tetapi apa yang membezakan di antara kedua dua reka bentuk dengan barang kemas Brunei ialah dari aspek ukiran dan bentuk barang kemas tersebut. Tidak juga dinafikan dari segi nama tempatannya. Akan tetapi, pending ini, jika di Brunei, ia dipanggil dengan nama "panding"...
:) Originally posted by fleurzsa at 12-10-2006 05:03 PM
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apa yang dapat saya perhatikan, negeri negeri melayu seperti yang disebutkan tadi seperti Johor dan Kelantan, corak dan bentuk Mahkota Diraja mereka ini, bentuknya seakan akan dengan bentuk Mahkota Diraja yang dipakai oleh Baginda Queen Elizabeth dan raja-raja terdahulu Britain serta Eropah, adakah bentuk ini, sebetulnya berasal asli dari Negeri Melayu atau sebaliknya? :) Originally posted by LailaTempawan at 24-10-2006 08:31 PM
Kebanyakan barang barang kemas pengantin ini, kebanyakannya semua lebih kurang sama dengan kesemua barang kemas yang ada di Malaysia dan lebih lebih lagi di Brunei Darussalam sendiri, akan te ...
:setuju: nama pong Melayu kan...bnyk yg sama...cuma disegi sebutan, cara ukiran atau nama yg diberi pada mende2 tu jerk yg berbeza... Originally posted by LailaTempawan at 24-10-2006 08:35 PM
apa yang dapat saya perhatikan, negeri negeri melayu seperti yang disebutkan tadi seperti Johor dan Kelantan, corak dan bentuk Mahkota Diraja mereka ini, bentuknya seakan akan dengan bentuk M ...
rasanya pasal tanah Melayu pernah dijajah leh Inggeris tu yg mempengaruhi disegi design dan ukiran tuh....
[ Last edited byholmes at 26-10-2006 04:11 PM ] Originally posted by fleurzsa at 12-10-2006 05:14 PM
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tak berat ke pakai gigi emas ni ekk...? :lol
slalunya pada zama dedulu jerk org pakai gigi emas ni....skrg tak pernah nmpk org pakai pong.. Originally posted by ZeckBiz at 16-1-2006 02:35 AM
:dia:Ini adalah antara barangan kesenian yang didapati daripada hasil pertukangan barangan logam...
http://i47.photobucket.com/albums/f172/zeckbiz/ZeckKeris01.jpg
http://i47.photobucket ...
cantik & halus hasil keje pertukangan tu ekkk.... SILVERWORK CONTINUES TO FLOURISH IN BRUNEI DARUSSALAM
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The genesis of silver-crafting in Brunei Darussalam is not clearly known but it is believed that the craft is an ancient one, having been in existence in the country for centuries.
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According to stories the early silversmiths began their art around Kampung Pandai Mas (Goldsmiths' Village), one of the villages in Kampong Ayer (Water Village) where several other age-old crafts such as gold, copper, brass and bronze works, cloth-weaving, wood-working and cannon as well as other weapon-making were also practised. Records have shonw that these handicrafts were already flourishing at the height of the Brunei Empire in the 15th century and the first half of the 16th century.
Secrecy
Until recently knowledge of silverware-fashiong, like the rest of the other crafts had been a closely guarded secret that was handed down through the generations from father to son. Attempts by others to penetrate this cloak of secrecy were always met with resentment. Thus the number of craftsmen was small and restricted to certain family circles within the confines of Kampong Ayer.
In the early fifties, the government, in an effort to perpetuate these handicrafts and make them more prevailing in the country, gave the artisans, notably the silversmiths, a building where they could display and sell their products.
The facilities were expanded in 1975 when the government built the Brunei Arts and Handicrafts Training Center (BAHTC) at Berakas, about eight kilometers from the capital and recruited some of the artisans as instructors. For the first time young men and women received formal instruction in the art of silverware and brassware crafting; kris making; cloth weaving as well as mat and basket plaiting, among other things. With that the survival and widespread knowledge of the crafts were guaranteed.
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In 1984, the BAHTC moved to an elegant new multi-storeyed building along the bank of the Brunei River at Jalan Residency in the capital. The new building affords the instructors and trainees alike more pleasant and modern facilities, including a plush display area, to indulge in their crafts.
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Superior
This is a far cry from the old days when craftsmen worked in groups with their respective trades in a a balai or workshop, using traditional tools. It is a source of wonder that despite the seemingly less favourable means, these artisans managed to produce superior workmanship as evidence in surviving relics and the skills they had passed on to their descendants. The silversmiths, for example, could turn out exquisitely-handicrafted articles that are unique in their design and refinement.
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One of the country's top silversmiths, Awang Haji Mohin bin POKD Haji Ahmad, who was also head of the Silvercraft Section at the BAHTC before retirement in 1989, acquired his skills from his father while still at school.
He began when he was about eight years old by helping his father to polish newly-crafted silverware. He learned in stages until he was an expert like his father before branching out on his own.
Haji Mohin said silver-crafting is simpler today because the silver used is imported in the form of sheets ready for use. In the old days the silver was obtained by meling old silver coins, bracelets and pieces of unwanted jewellery and then making them into sheets involving a lot of heating and hammering in the process.
Although the availability of processed materials and modern tools has made things easier for the craftsmen as a whole, traditional method and design remained basically unchanged.
To make silverware, for example, the procedure is fundamentally the same. The silver sheet is measured, cut and fashioned into the shape of whatever the silversmith has in mind.
He then draws an outline of his intricate desing on the article before filling every cavity with hot liquid resin.
The resin, once hardened, acts as a cushion when the delicate process of chipping the design using tiny hammer and chisel begins.
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The design is usually based on local plants and flowers, which are patterned according to the artistic skills and imagination of the silversmith. The most commonly used is a pattern called Bunga Air Mulih in which a creeping flowering plant is depicted in an unbroken chain covering the whole or certain parts of the silverware.
Creations
Local smiths have for centuries created a wide range of silver articles for use by royalty as well as the ordinary common folk. Some of these items such as pasigupan (smoking pipe), cupu (vase), kiap (fan), kabuk panastan (jar with cover), kaskul (bowl with cover) and tumbak (spear) today still make up part of royal regalia.
Their other creations include ornamental articles such as cannon replicas, dinner gongs, flower vases and those traditionally worn by Malay brides and grooms.
The largest silverware ever crafted by a group of local smiths are the two Perabahan or giant incense burners at the Omar Ali Saifuddien Mosque in the capital. Each of these burners stands more than 1.4 metres and weigh many pounds. The Perabahan is another example of Brunei Darussalam's exquisite hallmark of silver craftsmanship.
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Silver crafting has not only been a means of preserving family traditions but also a profitable cottage industry in Brunei Darussalam. A Silverware is valued according to the amount or weight of the metal used. A silver tea set for instance can cost up to $3,000, and the demand for it and other silverware is always high.
The popularity of silverware among the locals and tourists alike will further assure the survival of this cultural heritage and at the same time continue to provide a source of income for those willing to learn this delicate but beneficial craft.
Source: Brunei Today published by Information Department, 1994 Originally posted by holmes at 26-10-2006 04:35 PM
SILVERWORK CONTINUES TO FLOURISH IN BRUNEI DARUSSALAM
http://i23.photobucket.com/albums/b351/holmes15/misc/bruneisilverwares.jpg
The genesis of silver-crafting in Brunei Darussalam is not cl ...
Good Work!! :) Thanks to holmes
Reply #55 LailaTempawan's post
Tengkiu Laila.....:tq:Laila tak de info ke pasal topik ni...kalo ada bleh share post kat sini... Originally posted by holmes at 26-10-2006 04:13 PM
tak berat ke pakai gigi emas ni ekk...? :lol
slalunya pada zama dedulu jerk org pakai gigi emas ni....skrg tak pernah nmpk org pakai pong..
Ada gak I nampak yg separuh gigi palsu..separuh emas/ sumbi
Sekarang org byk pakai susuk emas he he he he