GILMORE GILRS [SEASON 5]

Hamyhaireen

dia break dan dean kawin, dean cerai dia kawan balik

faraway

semakin mendebarkan pulak season baru ni...

dak_abu

ari sabtu lepas ade ke gg ni?
aku pi beraya kat bangi mlm tuh daaa....

Hamyhaireen

ada tapi aku pun tak tgk sgt sbb ada org dtg rumah beraya

Hamyhaireen

DEAN: What am I doing here, Rory?

RORY: You're picking me up.

DEAN: I don't belong here. Not anymore. [He pauses, Rory doesn抰 deny it.]
Do I?

RORY: Dean.

DEAN: You look good.

[He drives away, Rory starts to cry. The guys come over to her.]

Hamyhaireen

aku jumpa scripts season 5 aku nak paste kat sini, tapi aku paste setakat yg 8tv tayang je la takut x thrill nanti

dak_abu

laaa... nak tau last week tuh ape jadik...

Hamyhaireen

aku pun nak tau gak , nanti aku tempek script untuk episod raya ye... malam sikit aku tgh kerja ni...

Hamyhaireen

oklah aku tempek sikit , nasib baik tak busy sgt ari ni.

Jackson is the soul of patience as Sookie suffers from mood swings and pregnancy food cravings; Paris' decision to fast for Ramadan to bring authenticity to her writing takes its toll on Rory and Marty; against Lorelai's advice, Michel persists with his plan to foil the bathrobe bandits and nearly gets arrested; Emily decides to start dating again, and calls on a reluctant Lorelai for advice; Jackson is so overwhelmed by his duties as Selectman that Miss Patty is forced to resort to a ruse to get him to preside over the town meeting; Lorelai invites Christopher to lunch at the Inn and decides to surprise Rory by inviting her as well, but it's Lorelai who's surprised by the tension between father and daughter, which erupts into a heated argument out of Lorelai's earshot; Lorelai feels guilty for lying to Rory when her daughter asks about Luke's reaction to the lunch date with Christopher; Luke helps T.J. with some plumbing problems at the new house; Emily appears to have a wonderful time on her date, but bursts into tears when she looks around her empty home at the end of the date; Luke feigns indifference when Lorelai finally tells him about lunch with Christopher, but hints at some ambivalence during a later conversation with T.J.; Marty's timing is off by mere seconds when he attempts to ask Rory out on a date

Hamyhaireen

ANNOUNCER: When Last Season ended, a long awaited romance began, a marriage began to fall apart, and an unexpected mistake. Now as the new season begins, a new love grows, a reckless desire continues, and the Gilmores' unbreakable bond lies in jeopardy. And now, we'll take you back to the moment that changed everything.
OPEN IN LORELAI GILMORE FRONT YARD
[Long view of Rory's bedroom window]
DEAN: [OS] I love you, Rory.
RORY: [OS] I love you, too, Dean.

CUT TO RORY'S BEDROOM
[Rory and Dean lie together in her single bed, following their lovemaking]
RORY: Are you comfortable? Am I killing your arm?
DEAN: My arm is fine.
RORY: I could move.
DEAN: Don't you dare move.
RORY: This right here, is -- the textbook definition of a perfect moment.
DEAN: Yeah, it is.
RORY: And earlier? [pause]
DEAN: That was pretty perfect too. However, as a guy, I was trying not to be a pig. [kisses her shoulder gently]
RORY: And I'm happy, are you happy?
DEAN: I'm very happy.
RORY: [smiling] Happy, but not chatty?
DEAN: I'm just? trying to make sure that all this is really happening.
RORY: It is. [they kiss] Hey, you know what I think we need?
DEAN: What?
RORY: A song. Like a song that's "our song".
DEAN: Okay.
RORY: Something romantic, but not mushy, something that will make us remember this.
DEAN: [chuckle] Ah, believe me, I'm remembering this.
RORY: Oh, I know. [She reaches over to the nightstand and loads a nearby CD into her player and turns it on.] Okay. Perfect. So, from now on, no matter what you're doing, where you are, you'll stop and think of me when you hear this [clicks remote on. Sammy Davis Jr.'s "The Candy Man" plays.]
DEAN: [laughs] That's not gonna be our song.
RORY: Why not? It's perfect. It's happy. It's hopeful. It has the word 'candy' in it. Hey, what is more hot than candy?
DEAN: Pick something else.
RORY: [She bobs to the music beat and repeats the lyric in a high squeaky voice] "Who can take the sunrise? sprinkle it with dew"
DEAN: Okay, okay, okay, okay. I'll pick something else. [He struggles to snatch the remote from her.]
RORY: No.
DEAN: Hand it over, I can't take it anymore.
RORY: This is what happens when the women get the remote, ah-ha!
[Thud noise from outside the bedroom interrupts them]
DEAN: What was that? [door closes]
LORELAI: [OS] Rory!

[CUT TO THE KITCHEN A FEW MOMENTS LATER]
[Rory darts out of her room followed closely by Dean]
LORELAI: Hey, what's going on?
RORY: [smoothing her hair] Dean came over to borrow something.
[CAMERA POV CHANGES TO KITCHEN DOOR LOOKING IN FROM OUTSIDE]
DEAN: Yeah, thanks.
RORY: You're welcome.
DEAN: Well, ah, I should go... bye, Lorelai.
RORY: Bye, Dean.
[Dean walks out the kitchen door and closes it. He listens to the conversation coming from inside]
LORELAI: [OS] So, what did he borrow?
RORY: [OS] I'm sorry I didn't talk to you about it first. I - I know I promised I would, but I swear, I didn't know that this was going to happen. I mean, I didn't know he was going to show up tonight, and it just happened. It's awful for you to find out like this, I know, but everything's okay. I'm okay, and we were, you know, safe - so all those Trojan Man jokes all these years really apparently stuck. And I'm lucky, too, because Dean, he's -- well, aren't you glad that it happened with someone who's good and really loves me?
LORELAI: [OS] He's married.
RORY: [OS] You don't understand the situation.
LORELAI: [OS] Is he still married?
RORY: [OS] Yes, but -
LORELAI: [OS] Then I understand the situation.
[Outside, Dean cringes and walks around to the front of the house to leave. The conversation still audible, he sees Rory through the lacey drapes and pauses.]
LORELAI: [OS] I just want what's best for you, that's all!
RORY: [OS] You're just mad because I didn't come running to you to discuss whether or not I was ready for this step. I decided it on my own.
LORELAI: [OS voice fades as Dean exits] Obviously, you weren't ready for this step.
[CUT TO EXTERIOR FRONT DOOR]
[Rory exits front door and pulls on sweater. Dials a number on her cell phone, as she steps off the front porch]
LINDSAY VOICE: [answering phone] Hello? Hello? Hello?
[Rory hangs up and sinks to her knees and begins to cry. Lorelai exits the front door and watches her daughter sobbing on the front lawn. She slowly approaches her daughter, bends over her and gently touches her shoulder.]
LORELAI: Hey. [Rory flinches from her touch] Let's just talk.
RORY: No. [She stands and stumbles back into the house. Lorelai looks grim.]

[OPEN IN ELDER GILMORE HOME FRONT DOOR]
[Door opens and Emily rushes in with determined purpose. Richard enters at a slower pace and follows her to small cluttered desk in a corner.]
RICHARD: You do realize you just leapt out of a moving vehicle.
EMILY: Everything cannot be on your schedule, Richard. [shuffles through small drawers on the desktop] Now, where is it? I know I put it in here. [She picks up a small, thin blue booklet.] Aha!
RICHARD: In all the years we've been together, I have never seen you behave as irrationally as -- Emily, I'm talking to you! Will you stop? [Emily storms down the hallway, brushing aside a nearby potted palm tree frond] Emily, this feud of ours has now reached comical heights that? Charlie Chaplin, himself, would find hilarious, and he's dead.
EMILY: Don't follow me, Richard.
RICHARD: Oh, wait, come back. Let me get you a cane and a derby.

[CUT TO BASEMENT]
[Emily descends the stairs to a room crowded full of boxes, trunks, unused furniture, dusty oil paintings, a discarded pool table, old silver trays and brass pieces. Richard follows her.]
RICHARD: What are you doing?
EMILY: I'm looking for my European luggage, which some imbecile has chosen to hide from me.
RICHARD: What do you need your European luggage for?  cont....

Hamyhaireen

EMILY: To put things in.
RICHARD: You're making a mess.
EMILY: I don't care if I'm making a mess.
RICHARD: Well, who's going to clean all this up, you?
EMILY: Yes, me, or the maid, or perhaps Pennilyn Lott could come by after one of your clandestine luncheons and take a stab at it.
RICHARD: Oh, for heaven's sakes. Not that again. She's just a friend!
EMILY: [provoking grin] I am going to Europe, Richard. I am going to Europe, and I'm going to have a marvelous time. I'm going to get up at 10:00, and I'm going to have two glasses of wine at lunch every single day.
RICHARD: Only prostitutes have two glasses of wine at lunch.
EMILY: Well, then buy me a boa and drive me to Reno because I am open for business.
RICHARD: I -- I can't talk to you when you're like this. I'm going to bed. [exits to stairs]
EMILY: You go to bed. I'll go to France.
[Richard climbs the stairs to the main floor. Door slams ]
[ After a pause, light piano music begins playing faintly from upstairs. Emily struggles with a large steamer trunk, dragging it up the stairs. As she reaches the door, she grasps the door knob and discovers the door won't budge.]
EMILY: Richard! Richard! [pounds on the door] The door is stuck! Richard! This isn't funny!
[She descends the stairs and looks around anxiously. Spying a high set window, she approaches and opens it and calls out.]
EMILY: Richard? Richard!
RICHARD: [OS] Emily?
EMILY: You locked me in.
RICHARD: [OS] I did not lock you in.
EMILY: You certainly did lock me in.
RICHARD: [OS] The door must be jammed. Did you try jiggling the knob?
EMILY: I suppose I could do that, or you could just get the hell down here and let me out!
RICHARD: [OS] Give me a moment, please.
EMILY: If you don't come down here right now, I will climb out the window.
RICHARD: [OS] You will not climb out the window.
EMILY: I will. I will climb out the window right now.
RICHARD: [OS] Don't you dare.
EMILY: I'm doing it. I'm climbing out the window. [she begins crawling out the window]
RICHARD: [OS] You better not climb out the window.
EMILY: [skirt catches on a nail] Damn it.
RICHARD: [OS] Emily Gilmore, I better not catch you climbing out the window. [sounds of footsteps]
EMILY: [panics and unzips her skirt to break free] I'm out the window. I'm out the window.
RICHARD: [descends the stairs] Get down from there.
EMILY: No! [slips out the window in only her sweater and hose]
RICHARD: Emily, get back here. Emily! [snatches her empty skirt dangling from nail]

[CUT TO EXTERIOR]
[Emily pulls her long sweater tightly down to cover herself and tiptoes to the back. Door opens ]
RICHARD: Are you having an aneurysm or something? Get inside and put this on.
EMILY: Get away from me!
RICHARD: Do you seriously think after 39 years of marriage, I would resort to locking you in a basement? [follows her to front of house]
EMILY: I don't know what you'd resort to. I don't know who you are at all.
RICHARD: I knew the mental illness in your family would catch up with you eventually.
EMILY: Aunt Cora was not mentally ill! She was athletic!
[flashing lights of a car approaches]
RICHARD: Oh, fine.
[ Indistinct talking over radio. Door of a DuBaldo Security Systems car opens and officer approaches. ]
SECURITY OFFICER: Is there some sort of problem here, folks?
RICHARD: No. There's no problem.
SECURITY OFFICER: We got a call from some of your neighbors complaining about a disturbance.
RICHARD: We apologize. We're going inside right now.
EMILY: Do not tell me what to do.
SECURITY OFFICER: Can I have your security password, please?
RICHARD: [sarcasm] Look, it's getting late, so either shoot us or go away.
SECURITY OFFICER: Fine. We'll just write up a report here and be on our way.
EMILY: Are you happy, Richard? Now there's a report, and a report means we'll be in the police blotter. Petal Huffington reads the police blotter religiously. It's like heroin to her. You've turned us into the scandal of the neighborhood. [Officer exits.]
RICHARD: Do you know what, Emily? If nothing else, this display tonight demonstrates clearly that you are no longer the woman I married.

Hamyhaireen

EMILY: The woman you married was your partner. You listened to her. You consulted with her. You respected her. So, you are right, Richard. I am definitely not the woman you married. [ Engine turns over as she exits to the house]

[CUT TO INTERIOR OF DRAGONFLY INN - FRONT DOOR]
[Lorelai enters and immediately sees Luke in the front sitting room. Kirk is propped face first on the sofa naked, his butt in the air and a blanket covering him. ]
LORELAI: Oh, no.
LUKE: It's okay.
LORELAI: What happened?
LUKE: He landed butt first in Taylor's rose bushes.
LORELAI: Oh, poor thing!
LUKE: Didn't slow him down, though. I managed to tackle him as he headed toward the miniature goat pen, dragged him back here, threw one of your blankets over him, and, well, there he is -- he's gonna be fine.
LORELAI: Well, that's good.
LUKE: Yeah. So, you were gone for a while.
LORELAI: Yeah, I just had some things to take care of at home. Are you sure he can breathe?
LUKE: Oh, yeah, I propped his head up. ? [He notices she is distracted.] So, uh...you okay?
LORELAI: Yes, I'm fine.
LUKE: Okay, just -- nothing you want to talk about with -- with me or - ?
KIRK: Oh!
LORELAI: Oh my God. We need to take him upstairs.
KIRK: [still face down] LuLu can't see me like this.
LORELAI: But, Kirk --
KIRK: [hysterical] LuLu can't see me like this!!
LORELAI: Okay, she won't. I promise. Can I take a look?
KIRK: [quickly responds] Okay.
LORELAI: I don't want to take a look.
LUKE: Well, I'm not looking.
[Sookie descends the stairs and approaches]
SOOKIE: Hey! It's a party. What's everybody doing up?
LORELAI: Aw, hey, good timing, Squiggy.
[Luke and Lorelai approach Sookie]
SOOKIE: I was just going to check on my loaves and make sure they're rising properly. The air's a little more humid than I thought it was going to be, and if the loaves aren't rising properly, then -- what are you doing? [They both pull Sookie closer to the sofa]
LORELAI: We need you to look at Kirk's butt.
SOOKIE: Why?
LORELAI: Well, because he ran into some rose bushes, and he's got some thorns stuck in it, and I thought of you.
SOOKIE: Me? Why me?
LORELAI: Well, because... you're a chef.
SOOKIE: What?
LUKE: And you have a kid.
LORELAI: Yes, that's better. You have a kid.
LUKE: Neither of us has kids. Well, she does, but it's big and -- and -- and can look at her own butt.
LORELAI: I got this, thanks.
SOOKIE: Okay, well... oh, oh! I'm gonna need Bactine, antiseptic, and lots of hot towels.
LORELAI: I'll go. I'll be right back. [she exits]
KIRK: Ohh.
SOOKIE: Hey, Kirk? How are you feeling?
KIRK: Is Luke here?
LUKE: I'm right here, Kirk.
KIRK: Sorry I bit you.
LUKE: It's okay, Kirk.
KIRK: They were after me, so I ran away.
SOOKIE: Who was after you, honey?
LUKE: Assassins. He thinks assassins are after him.
KIRK: They were under my bed in my room, so I ran, and they followed me down the hall, down the stairs, past Luke and Lorelai kissing, through the yard, over that fence. [Sookie rolls her eyes and smiles in disbelief, Luke looks uncomfortable]
SOOKIE: Well, the assassins are gone now, Kirk.
KIRK: I imagined them?
SOOKIE: I think so.
KIRK: What about Luke kissing Lorelai?
SOOKIE: [ Chuckles ] I think you imagined that, too. [she glances at Luke and does a double take when she sees his expression]
KIRK: They looked so real.
SOOKIE: Okay, Kirk, you just settle down and relax, and I'll be right back. [She drags Luke away from the sofa out of earshot.] Ohh. [ Gasps ] Oh, my God!
LUKE: Sookie!
SOOKIE: You kissed?
LUKE: [tries to suppress a grin] Yes.
SOOKIE: I can't believe she didn't tell me. Why didn't she tell me?
LUKE: It just happened.
SOOKIE: Ooh, Luke, that's wonderful! [pulls him into a big hug]
LUKE: [ chuckles ] Thanks.
SOOKIE: [giggling with excitement] I can't wait to tell Lorelai it's wonderful!
LUKE: Um, could you maybe not say anything for a little while?
SOOKIE: Why?
LUKE: Well, I'm just not so sure she wants this out yet.
SOOKIE: What makes you think that?
LUKE: Do me a favor and keep it to yourself. Let her tell you if she wants to, okay?
SOOKIE: Sure. Okay. Call me Belinda, 'cause my lips are sealed.
LUKE: Thank you. [chuckles]
SOOKIE: Hey, Luke?
LUKE: Yeah?
SOOKIE: This is good. [exits to return to Kirk leaving Luke alone]
LUKE: I hope so.

[CUT TO DEAN AND LINDSAY'S APARTMENT]
[Dean quietly enters and deposits his keys on the entry table]
LINDSAY: Hey.
DEAN: [Startled, he turns around and sees her sitting at kitchen table] Hey.
LINDSAY: My mom brought by brownies. [Dean doesn't respond but walks past her to the kitchen] You worked late again.
DEAN: Yeah.
LINDSAY: Do you have to work tomorrow?
DEAN: I work at Doose's tomorrow.
LINDSAY: Oh. Well, will you be home for dinner? 'Cause I was thinking of cooking or something.

Hamyhaireen

DEAN: I guess. I'll try. I don't know.
LINDSAY: You want a brownie?
DEAN: No.
LINDSAY: My mom put gummy bears in them like I'm still three or something. [silence] Oh yeah, and I found your phone. It had fallen in the couch cushions.
DEAN: Thanks.
LINDSAY: It rang a little earlier, about 20 minutes ago. I answered, but they hung up.
DEAN: You answered my phone?
LINDSAY: Well, it kind of woke me up.
DEAN: Why are you answering people's phones?
LINDSAY: Dean.
DEAN: I mean, you know it's my phone, Lindsay. This isn't your phone. I mean, who was it?
LINDSAY: I don't know. They hung up.
DEAN: So you didn't take a message?
LINDSAY: I told you -- they hung up.
DEAN: So, great, uh, you're just answering my phone and not taking messages? That's great, Lindsay.
LINDSAY: Dean, wh--
DEAN: Taylor calls on this phone, and Tom. I mean, this phone is for business, okay? That's why I have it!
LINDSAY: Fine.
DEAN: What if Tom called, and he had an extra shift for me tomorrow, huh? I mean he calls to tell me, and you answer, and he thinks maybe he doesn't have the right number, and he hangs up, and then I just lose out, which means we lose out. God, Lindsay, you know, you don't -- you don't get it, do you? I mean, you have absolutely no respect for me at all. That's just obvious.[ Sighs ]
LINDSAY: I don't want to fight. We always fight. I won't answer your phone anymore. I was asleep. I didn't think. I'm sorry, okay?
DEAN: Yeah...okay.
LINDSAY: You coming to bed?
DEAN: In a minute.
LINDSAY: [ Inhales ] Okay. [stands to leave] You mad at me?
DEAN: No. Just tired. Long day. I'll be right there.

[CUT TO BREAKFAST BUFFET LINE AT DRAGONFLY INN - MORNING]
[LuLu and Kirk are admiring the food table and taking samples on their plate
LULU: Everything looks so good.
SOOKIE: [giggles] I know it does.
LULU: [they move to a small nearby table. LuLu sits down.] I want half of that cranberry square.
KIRK: Okay.
LULU: Kirk, sit.
KIRK: I'm good.
LULU: You can't eat standing up like that. My mother says it gives you cancer.
KIRK: Really? Mine, too.
[Jackson enters]
JACKSON: Hey, look who came to visit.
BABETTE: Oh, my God, the baby's here!
SOOKIE: [approaches] Hey, Shortstuff. How's it hangin'?
JACKSON: He just came to say hi to everybody and to see the place on which his entire college education depends. What do you think? Is it gonna be Ivy League, or is it gonna be "Murray's House of Learnin'"?
SOOKIE: If we're going by the donut demand, I think he's in pretty good shape.
JACKSON: Okay, Ivy League it is. [baby talk to Davey] I just hope you're not stupid. Yeah?
SOOKIE: Well, you have fun. Mommy's gotta get back to work. Be nice, and don't throw up on the buffet.
PATTY: Jackson, you get over here right now with that baby.

[CUT TO FRONT LOBBY NEAR STAIRS]
[employee approaches Michel and presents a clipboard]
EMPLOYEE: Can you sign this? [when finished he exits as Taylor descends the stairs]
[Michel ignores him]
TAYLOR: Michel, hold it right there. Michel. Michel, I have a complaint. Michel? Michel?
MICHEL: Can I help you?
TAYLOR: I was talking to you, and you just walked away from me.
MICHEL: Oh, I'm sorry, I thought you were calling someone else.
TAYLOR: Someone else named Michel?
MICHEL: If only I could read minds. What can I do for you?
TAYLOR: One of my shoes is missing, and the other has been chewed.
MICHEL: Is this a riddle? I'm very busy.
TAYLOR: No, this is not a riddle. This is fact. Look at this shoe. This shoe was practically brand-new, worn twice, and only on smooth-surface floors. [Lorelai descends the stairs and avoids them] I leave it in your hallway, and in the morning, I find this. [LuLu and Kirk enter. Kirk overhears their conversation]
KIRK: Oh, my God, what have I done? [rushes after LuLu up the stairs]
[Lorelai enters and approaches]
LORELAI: Excuse me. I'm sorry. Taylor, why did you leave your shoe in the hallway?
TAYLOR: Your complimentary shoeshine.
LORELAI: Our - [Confused]
MICHEL: I don't know what he's talking about.
[Luke bounds down the stairs with his duffel bag over his shoulder]
LUKE: Hey, Lorelai --
TAYLOR: Oh, no problem, Luke. Butt right in. I couldn't possibly be talking about anything important.
LUKE: Good.
LORELAI: Uh. [She joins Luke a few feet away]
LUKE: I just -- I have to get back to the diner.
LORELAI: Okay, well, um - I? [glances at Michel and Taylor]
TAYLOR: I'm still standing here.
LORELAI: I have to - [distracted]
LUKE: Uh, sure.
LORELAI: Okay. But, thank you so much for coming.
LUKE: Okay, I'll...guess I'll see you later.
LORELAI: Yeah. [immediately returns to Taylor and Michel]
TAYLOR: You think I'm making all this up.
[Luke hesitates at the door watching her before leaving]
LORELAI: No, Taylor, I don't think you're making it up.
MICHEL: You're making a scene is what you're making.
TAYLOR: All right, fine. I'm going to find wherever I read that you said you have shoeshine service. I'm going to show you, and then he can take that look off his face.
LORELAI: Taylor, seriously, I completely believe you. [calls after him as he storms off]
MICHEL: That man is why mail-order brides were invented.
LORELAI: Mm.
[Michel exits and she turns to see Rory enter the front door]
LORELAI: Oh, my, my. Well, what a surprise.
RORY: People will expect me to be here for breakfast.
LORELAI: Yes, they will.
RORY: Okay, so I'm here for breakfast.
LORELAI: Enjoy! [Rory enters to dining room]

Hamyhaireen

alamak letih la nak cut and paste panjang bangat kang ada yg marah kat aku...korang baca la kat sini http://www.twiztv.com/scripts/gilmoregirls/#season5

Hamyhaireen

5.01 - Say Goodbye to Daisy Miller ...
Original airdate: September 21, 2004
Lorelai is very upset that Rory has lost her virginity to her married ex-boyfriend Dean. Luke is happy and relieved to learn that Lorelai wants to pursue their new romantic relationship. Realizing that Dean's marriage may not be over after all, Rory agrees to spend the summer in Europe with Emily.

5.02 - A Messenger, Nothing More ...
Original airdate: September 28, 2004
Rory calls Lorelai from Rome and admits that she made a mess of things with Dean. Lorelai gives Dean a letter from Rory, but Dean's wife Lindsay finds the letter and throws Dean out of the house. Rory returns from Europe, and a terrible scene ensues when she and Lorelai run into Lindsay and her mother on the street.

5.03 - Written in the Stars ...
Original airdate: October 5, 2004
After Lorelai and Luke spend a romantic night together at Luke's place, Lorelai, walks into the dinner early the next morning dressed in one of Luke's flannel shirts, only to discover that the place is full of customers.Rory has an angry exchange with a haughty, rich student named Logan after he is rude to her friend Marty.

5.04 - Tippecanoe and Taylor, Too ...
Original airdate: October 12, 2004
Rory and Dean find it increasingly difficult to be alone together due to their distant living arrangement and the fact that he is sharing a car with his estranged wife. Lorelai and Sookie run Jackson's campaign when he decides to run against Taylor for Town Selectman. Lane tells her band-mate Zach that she has feelings for him.

5.05 - We Got Us a Pippi Virgin ...
Original airdate: October 19, 2004
Feeling bad that her relationship with Dean has become awkward, Lorelai suggests that she and Luke double-date with Rory and Dean, but the evening turns ugly when Luke is unable to disguise the fact that he thinks Dean isn't good enough for Rory. Meanwhile, Emily and Richard are lonely and a little lost without one another.

5.06 - Norman Mailer, I'm Pregnant! ...
Original airdate: October 26, 2004
Lorelai and Sookie are thrilled when author Norman Mailer and a young reporter show up repeatedly in the dining room of the Dragonfly Inn, but Sookie's awe turns to annoyance when Mailer refuses to order any food. Working on a story for the Yale newspaper, Rory uncovers evidence of an intriguing secret society to which Logan belongs.

5.07 - You Jump, I Jump, Jack ...
Original airdate: November 2, 2004
Rory is impressed when Logan brings her to an elaborate event staged by his secret society, and she suddenly finds herself participating in a thrilling but dangerous stunt. Meanwhile, when Emily discovers that Lorelai is dating Luke, she insists he come to dinner. Not to be outdone, Richard invites Luke to a game of golf.



5.08 - The Party's Over ...
Original airdate: November 9, 2004
Rory is touched when Emily and Richard throw a party to introduce her to their Yale Alumni friends, but it soon becomes obvious that their ulterior motive is to find her a suitable husband. When Dean arrives at the party to pick Rory up, he realizes he doesn't belong in her privileged world.

5.09 - Emily Says Hello ...
Original airdate: November 16, 2004
Rory decides that she and Lorelai should split up at the next Friday night dinner and confront Richard and Emily separately about ending their separation. Meanwhile, Lorelai invites Christopher for lunch at the inn. Feeling guilty that she hadn't told Luke about seeing Christopher, Lorelai confesses that they had lunch, and Luke "convinces" himself that he isn't jealous.

dak_abu

wahh... Marty ajak Rory date eh'....
Logan appear tak ari tuh?
from ur summary tuh...
tak lak mention psl Logan :ah:

edlina

episode ari tu dia skip episod party's over... tah kenapa nak skip aku pun x paham.. tetiba jer broke up ngan dean

dak_abu

episod party's over... episod yg mane plak ni... :stp:

Hamyhaireen

ntah tengok sikit2 je...org dtg rumah kang kata kita sombong lak....
tension gak time nak manjakan diri ngan tgk GG ada org kacau .....
nanti aku check balik

Hamyhaireen

eh adala...aku nengok