Ironinya byk kali berlakon filem yg critically postive, tak pernah sekali scarlett johannson dpt oscar nominations .
terutamanya filem arahan woody allen, Match Point tahun 2004 sudah dan filem Lost in Translations.
thn yg die menang BAFTA, tak tercalon langsung Oscar. nak kata British tak juga, tp rakyat amerika..
Post time 20-9-2019 11:53 AMFrom the mobile phone|Show all posts
Edited by cyclops_psycho at 20-9-2019 11:54 AM
dauswq replied at 13-9-2019 07:12 PM
Does Jennifer Lopez Have a Path to an Oscar for ‘Hustlers’?
The 50-year-old actress is earning ...
Citer dah officially kena banned kat Malaysia. Baru bercita2 nk tgk movie kat wayang sbb dlm TGV website last week mentioned movie ni bakal ditayangkan pada 19 Sept which is semalam tp punah harapanku nk tgk movie. Tunggu online stream aje la.
Hollywood traditionalists blanched this year when the streaming juggernaut Netflix managed to crack the Oscars’ best-picture race.
Next year, the company is poised to dominate that category.
Fielding a strong awards-season slate that includes Martin Scorsese’s crime epic “The Irishman,” the Adam Driver-Scarlett Johansson dramedy “Marriage Story,” and the crowd-pleasing “The Two Popes,” Netflix has a viable path to three best-picture nominations in January — a rare feat for any studio, let alone one that has upended the way movies are distributed and seen.
Unlike the arty, black-and-white “Roma,” which won three Oscars for Netflix earlier this year but lost the top trophy to “Green Book,” the company’s new contenders are more mainstream, and each has a potential path to victory that can find precedent in a past best-picture winner.
Due in early November, “Marriage Story,” like “Kramer vs. Kramer,” is a contemporary film about divorce. Later that month, “The Two Popes,” which asks Anthony Hopkins and Jonathan Pryce to enact a series of papal tête-à-têtes, recalls “The King’s Speech.”
And though violent crime dramas don’t always catch Oscar’s eye, the last film like “The Irishman” to go all the way was “The Departed” (2006), which is still Scorsese’s sole best-picture win. Can “The Irishman” give the 76-year-old director his second Oscar in that category?
Certainly, the movie is a major contender across the board. “The Irishman,” which debuted to rapturous reviews last week at the New York Film Festival, tells the purported story of Frank Sheeran (Robert De Niro), a hit man for the mob boss Russell Bufalino (Joe Pesci). Loyal, ruthless, and willing to take just about any order with no questions asked, Sheeran has an expertise that soon earns him an audience with the union leader Jimmy Hoffa (Al Pacino), who has some unlawful missions to add to Sheeran’s ledger. But when Hoffa’s continued crusading starts to ruffle the feathers of Bufalino and other criminal figures, Sheeran finds himself in the middle of a war waged largely in the shadows.
De Niro’s most affecting scenes come at the end of this three-and-a-half hour film and should put him squarely in the best-actor race, while Pesci and Pacino — neither of whom have been nominated since their Oscar wins in the early 1990s — are both strong supporting-actor candidates. Those categories could prove similarly crowded with Netflix talent: If Driver and Pryce manage best-actor nominations alongside De Niro, and Hopkins lands on the supporting-actor short list with the “Irishman” scene stealers, Netflix will have a majority stake in both of this year’s actor races.
Steven Zaillian’s screenplay for “The Irishman” should be a contender, while nominations in most of the craft categories are feasible, including cinematography, costumes, production design, and editing. I’d expect a nomination for visual effects, too: Scorsese digitally de-aged his leads to tell a story that spans several decades, and though the results aren’t flawless — you may be able to zap enough wrinkles from De Niro’s face to present him as a plausible fortysomething, but the man still moves like he’s in his mid-70s — they’re significant enough to warrant attention.
And then we come to the races for best director and best picture. Scorsese can surely make it into both categories, but can he win? Until now, I’ve figured the front-runner to be Quentin Tarantino’s “Once Upon a Time ... in Hollywood,” and it’s striking how much his film and Scorsese’s are tilling the same awards-season soil: Both movies are old-fashioned, big-budget, male-dominated period pieces with impeccable crafts, plenty of heat in the supporting-actor category, and a notably extended running time.
With both movies, there is also a ticking clock to keep in mind: Scorsese is approaching his 80s, while Tarantino has been mulling the imminent end of his big-screen directing career. Will those now-or-never stakes prompt Oscar voters to give Scorsese his second best-picture win, or to hand Tarantino his first? And if Netflix really does crowd the ballot in the most high-profile categories, could that nudge even more old-school voters toward Tarantino?
After all, “Once Upon a Time ... in Hollywood” received a traditional, sustained theatrical release in thousands of theaters, as opposed to the more limited three-and-a-half-week theatrical engagement Netflix has planned for “The Irishman” in November, before the film starts streaming. If the race really does come down to these two titans, expect the latest round of the streaming-vs-theatrical argument currently roiling Hollywood: The only thing that’s clear in this contest is that Netflix isn’t going anywhere.
film upin ipin tercalon bersama 32 film animation antarabangsa yg lain utk oscar2020...harap2 dpt la top 5 walau susah...tp dh tersenarai pun iols bangga...oscar okek...
The nominees for the 2020 Film Independent Spirit Award Nominations
Best Feature
A HIDDEN LIFE
CLEMENCY
THE FAREWELL
MARRIAGE STORY
UNCUT GEMS
Best Director
Robert Eggers – THE LIGHTHOUSE
Alma Har’el – HONEY BOY
Julius Onah – LUCE
Benny Safdie, Josh Safdie – UNCUT GEMS
Lorene Scafaria – HUSTLERS
Best First Feature
BOOKSMART
THE CLIMB
DIANE
THE LAST BLACK MAN IN SAN FRANCISCO
THE MUSTANG
SEE YOU YESTERDAY
Best Female Lead
Karen Allen – COLEWELL
Hong Chau – DRIVEWAYS
Elisabeth Moss – HER SMELL
Mary Kay Place – DIANE
Alfre Woodard – CLEMENCY
Renée Zellweger – JUDY
Best Male Lead
Chris Galust – GIVE ME LIBERTY
Kelvin Harrison Jr. – LUCE
Robert Pattinson – THE LIGHTHOUSE
Adam Sandler – UNCUT GEMS
Matthias Schoenaerts – THE MUSTANG
Best Supporting Female
Jennifer Lopez – HUSTLERS
Taylor Russell – WAVES
Zhao Shuzhen – THE FAREWELL
Lauren “Lolo” Spencer – GIVE ME LIBERTY
Octavia Spencer – LUCE
Best Supporting Male
Willem Dafoe – THE LIGHTHOUSE
Noah Jupe – HONEY BOY
Shia Labeouf – HONEY BOY
Jonathan Majors – THE LAST BLACK MAN IN SAN FRANCISCO
Wendell Pierce – BURNING CANE
Best Screenplay
Noah Baumbach – MARRIAGE STORY
Jason Begue, Shawn Snyder – TO DUST
Ronald Bronstein, Benny Safdie, Josh Safdie – UNCUT GEMS
Chinonye Chukwu – CLEMENCY
Tarell Alvin Mccraney – HIGH FLYING BIRD
Best First Screenplay
Fredrica Bailey, Stefon Bristol – SEE YOU YESTERDAY
Hannah Bos, Paul Thureen – DRIVEWAYS
Bridget Savage Cole, Danielle Krudy – BLOW THE MAN DOWN
Jocelyn Deboer, Dawn Luebbe – GREENER GRASS
James Montague, Craig W. Sanger – THE VAST OF NIGHT
Best Cinematography
Todd Banhazl – HUSTLERS
Jarin Blaschke – THE LIGHTHOUSE
Natasha Braier – HONEY BOY
Chananun Chotrungroj – THE THIRD WIFE
Pawel Pogorzelski – MIDSOMMAR
Best Editing
Julie Béziau – THE THIRD WIFE
Ronald Bronstein, Benny Safdie – UNCUT GEMS
Tyler L. Cook – SWORD OF TRUST
Louise Ford – THE LIGHTHOUSE
Kirill Mikhanovsky – GIVE ME LIBERTY
John Cassavetes Award
BURNING CANE
COLEWELL
GIVE ME LIBERTY
PREMATURE
WILD NIGHTS WITH EMILY
Robert Altman Award
“Marriage Story”
Best Documentary
AMERICAN FACTORY
APOLLO 11
FOR SAMA
HONEYLAND
ISLAND OF THE HUNGRY GHOSTS
Best International Film
INVISIBLE LIFE, Brazil
LES MISERABLES, France
PARASITE, South Korea
PORTRAIT OF A LADY ON FIRE, France
RETABLO, Peru
THE SOUVENIR, United Kingdom
Piaget Producers Award
Mollye Asher
Krista Parris
Ryan Zacarias
Someone to Watch Award
Rashaad Ernesto Green – PREMATURE
Ash Mayfair – THE THIRD WIFE
Joe Talbot – THE LAST BLACK MAN IN SAN FRANCISCO
Truer Than Fiction Award
Khalik Allah – BLACK MOTHER
Davy Rothbart – 17 BLOCKS
Nadia Shihab – JADDOLAND
Erick Stoll & Chase Whiteside – AMÉRICA
Annual Bonnie Award
Marielle Heller
Lulu Wang
Kelly Reichardt
Adam Driver, Marriage Story
Eddie Murphy, Dolemite is My Name
Joaquin Phoenix, Joker
Leonardo DiCaprio, Once Upon A Time in Hollywood
Taron Egerton, Rocketman
Best Actress
Awkwafina, The Farewell
Charlize Theron, Bombshell
Lupita Nyong’o, Us
Renée Zellweger, Judy
Scarlett Johansson, Marriage Story
Best Supporting Actor
Brad Pitt, Once Upon A Time in Hollywood
Joe Pesci, The Irishman
Shia LaBeouf, Honey Boy
Sterling K. Brown, Waves
Tom Hanks, A Beautiful Day in the Neighborhood
Best Supporting Actress
Jennifer Lopez, Hustlers
Laura Dern, Marriage Story
Margot Robbie, Once Upon A Time in Hollywood
Taylor Russell, Waves
Zhao Shuzhen, The Farewell
Best Adapted ScreenplayTaika Waititi, Jojo Rabbit
Steven Zaillian, The Irishman
Anthony McCarten, The Two Popes
Scott Silver and Todd Phillips, Joker
Lorene Scafaria, Hustlers
Best Original ScreenplayBong Joon-ho and Han Jin-won, Parasite
Emily Halpern, Sarah Haskins, Susanna Fogel, and Katie Silberman, Booksmart
Lulu Wang, The Farewell
Noah Baumbach, Marriage Story
Rian Johnson, Knives Out
Best Male DirectorBong Joon-ho, Parasite
Martin Scorsese, The Irishman
Noah Baumbach, Marriage Story
Quentin Tarantino, Once Upon A Time in Hollywood
Taika Waititi, Jojo Rabbit
Best Female DirectorAlma Har’el, Honey Boy
Greta Gerwig, Little Women
Lorene Scafaria, Hustlers
Lulu Wang, The Farewell
Olivia Wilde, Booksmart
Best Performance by an Actor or Actress 23 and UnderKaitlyn Dever, Booksmart
Julia Butters, Once Upon A Time in Hollywood
Noah Jupe, Honey Boy
Roman Griffin Davis, Jojo Rabbit
Thomasin McKenzie, Jojo Rabbit
Breakthrough PerformanceJessie Buckley, Wild Rose
Kelvin Harrison Jr, Waves
Paul Walter Hauser, Richard Jewell
Taylor Russell, Waves
Zack Gottsagen, The Peanut Butter Falcon
Best CastAvengers: Endgame
The Irishman
Knives Out
Once Upon A Time in Hollywood
Waves
Best First FeatureBrittany Runs A Marathon
Booksmart
Honey Boy
The Peanut Butter Falcon
Queen & Slim
Best Independent FilmBooksmart
The Farewell
Honey Boy
Luce
Waves
Best Action/War Film1917
Avengers: Endgame
Captain Marvel
Fast & Furious Presents: Hobbs & Shaw
John Wick: Chapter 3 – Parabellum
Best Animated FilmAbominable
Frozen II
How to Train Your Dragon: The Hidden World
Missing Link
Toy Story 4
Best BlockbusterAvengers: Endgame
Captain Marvel
Once Upon A Time in Hollywood
Shazam!
Spider-Man: Far from Home
Best Comedy/MusicalBooksmart
Blinded by The Light
Dolemite is My Name
Long Shot
Rocketman
Best DocumentaryAmerican Factory
Apollo 11
Hail Satan?
The Kingmaker
Love, Antosha
Best Foreign Language FilmThe Farewell
Monos
Pain & Glory
Parasite
Portrait of a Lady on Fire
Best HorrorCrawl
Doctor Sleep
Midsommar
Ready or Not
Us
Best Animated or VFX PerformanceJosh Brolin, Avengers: Endgame
Robert De Niro, The Irishman
Rosa Salazar, Alita: Battle Angel
Ryan Reynolds, Pokemon Detective Pikachu
Tom Hanks, Toy Story 4
Best CinematographyDrew Daniel, Waves
Jarin Blaschke, The Lighthouse
Lawrence Sher, Joker
Robert Richardson, Once Upon A Time in Hollywood
Roger Deakins, 1917
Best Costume DesignArianne Phillips, Once Upon A Time in Hollywood
Julian Day, Rocketman
Jacqueline Durran, Little Women
Ruth E Carter, Dolemite is My Name
Mark Bridges, Joker
Best EditingFred Raskin, Once Upon A Time in Hollywood
Lee Smith, 1917
Michael McCusker, Ford V. Ferrari
Thelma Schoonmaker, The Irishman
Yang Jin-mo, Parasite
Best Hair and MakeupJeremy Woodhead, Judy
Kazu Hiro, Anne Morgan, and Vivian Baker, Bombshell
Nicki Ledermann and Kay Georgiou, Joker
Nicki Ledermann, Sean Flanigan, and Carla White, The Irishman
Lizzie Yianni Georgiou, Tapio Salmi, and Barrie Gower, Rocketman
Best Original SongCatchy Song, The Lego Movie: The Second Part
Glasgow, Wild Rose
(I’m Gonna) Love Me Again, Rocketman
Into the Unknown, Frozen 2
Speechless, Aladdin
Best ScoreAlexandre Desplat, Little Women
Hildur Guðnadóttir, Joker
Michael Abels, Us
Thomas Newman, 1917
Trent Reznor and Atticus Ross, Waves
Best Stunt Work1917
Avengers: Endgame
Captain Marvel
Fast & Furious Presents: Hobbs & Shaw
John Wick: Chapter 3 – Parabellum
Best Visual EffectsAllen Maris, Jedediah Smith, Guillaume Rocheron, and Scott R. Fisher, Ad Astra
Dan Deleeuw, Matt Aitken, Russell Earl, and Dan Sudick, Avengers: Endgame
Joe Letteri, Eric Saindon and Nick Epstein, Alita: Battle Angel
Guillaume Rocheron, Greg Butler, and Dominic Tuohy, 1917
Pablo Herman, Leandro Estebecorena, Stephane Grabli, and Nelson Sepulveda, The Irishman
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Post time 20-9-2019 11:06 AM
