HISTORY OF GUITAR

peret

Instruments similar to the guitar have been popular for at least 5,000 years. The guitar appears to be derived from earlier instruments known in ancient central Asia as the cithara. Instruments very similar to the guitar appear in ancient carvings and statues recovered from the old Iranian capitol of Susa. The modern word, guitar, was adopted into English from Spanish guitarra, derived from earlier Greek word kithara. Prospective sources for various names of musical instruments that guitar could be derived from appear to be a combination of two Indo-European roots: guit-, similar to Sanskrit sangeet meaning "music", and -tar a widely attested root meaning "chord" or "string".

Illustration from a Carolingian Psalter from the 9th century, showing a Guitar-like plucked instrument.


The word guitar is a Persian loanword to Iberian Arabic. The word qitara is an Arabic name for various members of the lute family that preceded the Western guitar. The name guitarra was introduced into Spanish when such instruments were brought into Iberia by the Moors after the 10th century.

[ Last edited by  peret at 11-1-2007 10:30 PM ]

peret

An acoustic guitar is not dependent on any external device for amplification. The shape and resonance of the guitar itself creates acoustic amplification. However, the unamplified guitar is not a loud instrument. It cannot compete with other instruments commonly found in bands and orchestras, in terms of sheer audible volume. Many acoustic guitars are available today with built-in electronics and power to enable amplification.

There are several subcategories within the acoustic guitar group: steel string guitars, which includes the flat top, or "folk" guitar, the closely related twelve string guitar, and the arch top guitar. A recent arrival in the acoustic guitar group is the acoustic bass guitar, similar in tuning to the electric bass.

Renaissance and Baroque guitars: These are the gracile ancestors of the modern classical guitar. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. The strings are paired in courses as in a modern 12 string guitar, but they only have four or five courses of strings rather than six. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz' Instrucci髇 de M鷖ica sobre la Guitarra Espa駉la of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.
Classical guitars: These are typically strung with nylon strings, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar is designed to allow for the execution of solo polyphonic arrangements of music in much the same manner as the pianoforte can. This is the major point of difference in design intent between the classical instrument and other designs of guitar. Flamenco guitars are very similar in construction, have a sharper sound, and are used in flamenco. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to the guitarron, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when travelling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. Modern dimensions of the classical instrument were established by Antonio Torres Jurado (1817-1892). Classical guitars are sometimes referred to as classic guitars, which is a more proper translation from the Spanish.
Portuguese guitar: Is a 12 string guitar used in Portugal for the traditional Fado song. Its true origins are somewhat uncertain but there is a general agreement that it goes back to the medieval period. It is often mistakenly thought of to be based on the so-called "English guitar" - a common error as there is no such thing. For some time the best instruments of this and other types were made in England, hence the confusion. "English guitar" refers to a quality standard, not really an instrument type. This particular instrument is most likely a merge of medieval "cistre" or "citar" and the Arabic lute.
Flat-top (steel-string) guitars: Similar to the classical guitar, however the body size is usually significantly larger than a classical guitar and it has a narrower, reinforced neck and stronger structural design, to sustain the extra tension of steel strings which produce a brighter tone, and according to some players, a louder sound. The acoustic guitar is a staple in folk, Old-time music and blues.
Archtop guitars are steel string instruments which feature a violin-inspired f-hole design in which the top (and often the back) of the instrument are carved in a curved rather than a flat shape. Lloyd Loar of the Gibson Guitar Corporation invented this variation of guitar after designing a style of mandolin of the same type. The typical Archtop is a hollow body guitar whose form is much like that of a mandolin or violin family instrument and may be acoustic or electric. Some solid body electric guitars are also considered archtop guitars although usually 'Archtop guitar' refers to the hollow body form. Archtop guitars were immediately adopted upon their release by both jazz and country musicians and have remained particularly popular in jazz music, usually using thicker strings (higher gauged round wound and flat wound) than acoustic guitars. Archtops are often louder than a typical dreadnought acoustic guitar. The electric hollow body archtop guitar has a distinct sound among electric guitars and is consequently appropriate for many styles of rock and roll. Many electric archtop guitars intended for use in rock and roll even have a Tremolo Arm.
Resonator, resophonic or Dobro guitars: Similar to the flat top guitar in appearance, but with sound produced by a metal resonator mounted in the middle of the top rather than an open sound hole, so that the physical principle of the guitar is actually more similar to the banjo. The purpose of the resonator is to amplify the sound of the guitar; this purpose has been largely superseded by electrical amplification, but the resonator is still played by those desiring its distinctive sound.
Resonator guitars may have either one resonator cone or three resonator cones. Three cone resonators have two cones on the left above one another and one cone immediately to the right. The method of transmitting sound resonance to the cone is either a BISCUIT bridge, made of a small piece of hardwood, or a SPIDER bridge, made of metal and larger in size. Three cone resonators always use a specialised metal spider bridge.

The type of resonator guitar with a neck with a square cross-section -- called "square neck" -- is usually played face up, on the lap of the seated player, and often with a metal or glass slide. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues.

12 string guitars usually have steel strings and are widely used in folk music, blues and rock and roll. Rather than having only six strings, the 12-string guitar has pairs, like a mandolin. Each pair of strings is tuned either in unison (the two highest) or an octave apart (the others). They are made both in acoustic and electric forms.
Russian guitars are seven string acoustic guitars which were the norm for Russian guitarists throughout the 19th and well into the 20th centuries. The guitar is traditionally tuned to an open G major tuning.
Acoustic bass guitars also have steel strings, and match the tuning of the electric bass, which is likewise similar to the traditional double bass viol, or "big bass", a staple of string orchestras and bluegrass bands alike.
Tenor guitars There's very sketchy background information about tenor guitars on the World Wide Web.A number of classical guitarists call the Niibori prime guitar a "Tenor Guitar" on the grounds that it sits in pitch between the alto and the bass. Elsewhere, the name is taken for a 4-string guitar, with a scale length of 23" (585mm) - about the same as a Terz Guitar. But the guitar is tuned in fifths - C G D A - like the tenor banjo or the cello. Indeed it is generally accepted that the tenor guitar was created to allow a tenor banjo player to follow the fashion as it evolved from from Dixieland Jazz towards the more progressive Jazz that featured guitar. It allows a tenor banjo player to provide a guitar-based rhythm section with nothing to learn. A small minority of players close tuned the instrument to D G B E to produce a deep instrument that could be played with the 4-note chord shapes found on the top 4 strings of the guitar or ukulele. In fact, though, the deep pitch warrants the wide-spaced chords that the banjo tuning permits, and the close tuned tenor does not have the same full, clear sound.
Harp guitars. Harp Guitars are difficult to classify as there are many variations within this type of guitar. They are typically rare and uncommon in the popular music scene. Most consist of a regular guitar, plus additional 'harp' strings strung above the six normal strings. The instrument is usually acoustic and the harp strings are usually tuned to lower notes than the guitar strings, for an added bass range. Normally there is neither fingerboard nor frets behind the harp strings. Some harp guitars also feature much higher pitch strings strung below the traditional guitar strings. The number of harp strings varies greatly, depending on the type of guitar and also the player's personal preference (as they have often been made to the player's specification). The Pikasso guitar; 4 necks, 2 sound holes, 42 strings
Extended-range guitars. For well over a century guitars featuring seven, eight, nine, ten or more strings have been used by a minority of guitarists as a means of increasing the range of pitch available to the player. Usually this entails the addition of extra bass strings.
Guitar battente. The battente is smaller than a classical guitar, usually played with four or five metal strings. It is mainly used in Calabria (a region in southern Italy) to accompany the voice.



[ Last edited by  peret at 11-1-2007 10:30 PM ]

katana83

The guitar's roots are in Spain. Realistically, it cannot be traced back further than the 15th Century. It is thought to have been invented by the people of Malaga. This early instrument was a "four course" guitar, from which the ukulele is derived. The first guitars were very small, and were originally strung with four pair of strings. Each pair was call a course.
During the Renaissance, the guitar never had the respect the lute enjoyed. It was not considered a serious instrument. The first publication for guitar is thought to have been Alonso Mudarra's "Tres Libros de Musica en Cifras para Vihuela." Eventually, the guitar began to attract players, more publications and music began to appear.
During the During the Baroque period, A fifth course was added. Even more music became available. It's repertoire and the complexity of the music increased.
The fifth course was tuned in one of three ways.

• A low "A" as it is now.
  
• A low "A" plus an octave for the second part of the course
• Both strings an "A" an octave higher than the modern guitar.

If a modern player really wants to have a complete, accurate repertoire of the Baroque Guitar, it would be necessary to either re-string for different pieces, or have at least three instruments for the different tunings.
At the end of the Baroque period two significant changes were made. The double strings were replaced by single strings, and instead of five pari, there were six single strings.
During the Classical period there were many publications, composers and performers. Fernando Sor, Mauro Guilliani, Matteo Carcassi, Fernando Carulli and many others wrote music, published methods and performed concerts. The guitar was very popular and guitar concerts were common.
Sor played the guitar as a solo instrument at the London Philharmonic Concert in 1817. In memoirs, George Hogarth stated: "He astonished the audience by his unrivaled execution." Paganinni was also active, playing and writing for the guitar as well as the violin. Stradivarius made guitars as well as violins.
At the end of the 19th century, the guitar had fallen out of favor, but was resurrected by Francisco Tarrega. His best piece in my opinion is the now very famous "Receurdos De La Alhambra." He did few public performances and chose to perform for friends at his home. He did compose, and he wrote a method for teaching guitar. He also transcribed many pieces of music for the guitar. Segovia was one of many guitarists that were influenced by him. Tarrega began the tradition of playing with the fingernails.
Up until this point the instrument itself was small and narrow. Antonio de Torres (1817 - 1892) worked with the design and construction of the guitar. He increased the size and experimented with anything that would improve the sound, and was especially interested in volume. He was the first maker to use "fan" bracing underneath the top. He once built a Guitar with a spruce top and paper mache back and sides to prove his theory that it was the top that produced most of the volume. He was the father of the modern guitar.
Some well known composers who played the guitar are Carl Maria Von Weber, Rossini and his wife, Verdi, and for many years Franz Schubert did his composing on his guitar which hung over his bed. He didn't have a piano at the time. Berlioz also composed the guitar.
Segovia performed, transcribed, taught and discovered a tremendous amount of music. He also encouraged many composers to write for the guitar. He was the first person to perform in a concert hall... Before Segovia, people believed this could not be done.
Although Segovia did all these things, the real debt that we owe to him is that of making the guitar truly a world instrument. By traveling and performing throughout the world, he brought respect and recognition to the instrument.
Nylon strings were a big improvement over gut strings. They replaced gut in 1946.
Today there are many concerts of guitar music. There are many societies and magazines devoted to the guitar

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