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eh... lp metal ker?? :stp: |
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Originally posted by Muntz at 2-2-2004 06:54 AM:
eh... lp metal ker?? :stp:
lp tu in general memang nu metal....
tapi tak layak ada perkataan metal kat situ pasal diorang byk sgt guna elektronica sound.............. |
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tu lar pasal.... aku rasa diorang more to like electronic rock... aper yek dia punya term? :stp: |
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http://www.ironmaiden.org/bb/showthread.php?s=&threadid=76807
Metal Hammer Gr Results for 2003's best ( Greece ).
complete stats:
BEST BAND OF 2003
1. IRON MAIDEN 13,2%
2. NEVERMORE 9,6%
3. DREAM THEATER 6%
4. METALLICA 4,4%
5. DIMMU BORGIR 4,1%
6. ARCH ENEMY 3,4%
7. OPETH 2,8%
8. ICED EARTH 2,4%
9. MORBID ANGEL 2,2%
- STRATOVARIUS 2,2%
BEST SINGER OF 2003
1. BRUCE DICKINSON 24%
2. WARREL DANE 10,9%
3. TIM OWENS 4,4%
4. MIKAIL AKERFELDT 4,2%
- KING DIAMOND 4,2%
BEST GUITARIST OF 2003
1. JOHN PETRUCCI 10,7%
2. MIKE AMOTT 9,5%
3. JEFF LOOMIS 9,3%
4. ZAKK WYLDE 7,5%
5. DAVE MURRAY 5%
- ADRIAN SMITH 5%
BEST BASSIST FOR
1. STEVE HARRIS 39,2%
2. JOHN MYUNG 10,7%
3. ROBERT TRUJILLO 5,6%
4. JASON NEWSTED 4%
5. LEIF EDLING 3,2%
BEST DRUMMER FOR 2003
1. MIKE PORTNOY 20,4%
2. NICHOLAS BARKER 10,7%
- NICKO McBRAIN 10,7%
4. DAVE LOMBARDO 8,1%
5. LARS ULRICH 5,9%
BEST KEYBOARDIST / OTHER ORGAN FOR 2003
1. JORDAN RUDESS 17,4%
2. MYSTIS 14,3%
3. JENS JOHANSSON 10,9%
4. MARIN POWEL 8,6%
5. JON OLIVA 3,8%
BEST ALBUM FOR 2003
1. IRON MAIDEN - DANCE OF DEATH 14,1%
2. NEVERMORE - ENEMIES OF REALITY 9,6%
3. DREAM THEATER - TRAIN OF THOUGHT 5,7%
4. ARCH ENEMY - ANTHEMS OF REBELLION 4,3%
5. DIMMU BORGIR - DEATH CULT ARMAGEDDON 3,9%
6. METALLICA - ST.ANGER 3,2%
7. MOONSPELL - THE ANTIDOTE 2,7%
- KING DIAMOND - THE PUPPET MASTER 2,7%
9. KATATONIA - VIVA EMPTINESS 2,5%
10. BLACK LABEL SOCIETY - THE BLESSED HELLRIDE 2,3%
WORST ALBUM FOR 2003
1. METALLICA - ST.ANGER 54,1%
2. IRON MAIDEN - DANCE OF DEATH 4,2%
3. H.I.M. - LOVE METAL 2,2%
4. NEVERMORE - ENEMIES OF REALITY 2%
5. NONE 1,6%
BEST ARTWORK FOR 2003
1. IRON MAIDEN - DANCE OF DEATH 8,7%
2. NEVERMORE - ENEMIES OF REALITY 7,1%
3. DREAM THEATER - TRAIN OF THOUGHT 4,6%
- CRADLE OF FILTH - DAMNATION AND A DAY 4,6%
4. STRATOVARIUS - ELEMENTS PART I 3,6%
BEST VIDEOCLIP FOR 2003
1. IRON MAIDEN - WILDEST DREAMS 18,8%
2. METALLICA - ST.ANGER 9,1%
3. DIMMU BORGIR - PROGENIES OF THE APOCALYPSE 7,1%
4. NEVERMORE - ENEMIES OF REALITY 4,6%
5. IRON MAIDEN - RAINMAKER 4%
EVENT OF 2003
1. WAR IN IRAQ 24,2%
2. JUDAS PRIEST REUNION 22%
3. ST. ANGER RELEASE 5,1%
4. SEPTIC FLESH BREAK UP 4,8%
5. MATT BARLOW LEAVES IE 4,6%
***** OF 2003
1. GEORGE W. BUSH 44,6%
2. LARS ULRICH 8,9%
3. OZZY OSBOURNE 4,4%
4. MATT BARLOW 3,2%
5. JON SCHAFFER 2% |
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UFO
Band old timer UFO akan keluar album baru akhir februari/awal march ini.
Line up dorang sekarang power gile la... pasal Vinnie Moore ngan Jason Bonham dah join. Dah jadi supergroup. Ni ialah album yang confirm kena check out.
Nak dengar promo dan interview latest, sila ke halaman di bawah.
UFO WORLD PREMIER NOW STREAMING
World class legendary hard rock band UFO are World Premiering their latest release, You Are Here, on the POWER HOUR NET RADIO SHOW right now, exclusively at www.ElectricBasement.com.
UFO's career spans 3 decades, with rock radio staples being legion - "Too Hot Too Handle", "Only You Can Rock Me", "Love to Love", "Lights Out", "Mother Mary", "Doctor, Doctor" and "Rock Bottom."
The latest UFO lineup features PHIL MOGG (vocals), PETE WAY (bass), PAUL RAYMOND (keyboards) and new additions VINNIE MOORE (guitar) and JASON BONHAM (drums).
Jason Bonham talks about the album during the show. You Are Here comes out on SPV February 23rd in Europe and a yet-to-be-determined date in North America.
The Power Hour is pre-recorded and then streamed on demand for free, allowing users to tune-in to the current show whenever they want. No sign-ups or hassles! Go now: http://www.electricbasement.com/power_hour.htm. |
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AdrianMutu This user has been deleted
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AdrianMutu This user has been deleted
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Deaf ... ada info pasal DIMMU BORGIR ? kelakar plak nama band ni. |
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interview terbaru ngan Yngwie Malmsteen
Ni ialah interview terbaru Yngwie Malmsteen..
Best la.. pasal topik interview bermacam2.
http://www.electricbasement.com/ ... en_february2004.htm
YNGWIE MALMSTEEN **EXCLUSIVE**
by A. Lee Graham
Posted 2/24/04
"Compromise" is not in Yngwie J. Malmsteen's vocabulary.
Neither is the "J" between his first and last names.
"That's Yngwie 'First Take' Malmsteen," laughs the shredder. "It's first take or nothing."
Fans may be shocked to know their hero prefers improvisation to perfectionism. He who sculps cascading arpeggios with neoclassical precision follows his instincts, not chord charts. He crafts chaos from ... chaos.
"Listen," insists the Swede. "If it doesn't work from the first take, why bother? You lose something when it's rehearsed over and over." And Malmsteen should know.
Since storming U.S. shores in 1983, Malmsteen has tasted success and failure. Legions bowed at his feet, while others scoffed at his insouciance. Joining Steeler in the early-'80s turned heads as the young guitarist enlivened an otherwise faceless L.A. act.
Graffiti proclaiming "Yngwie Is God!" adorned alleyways in a manner unseen since Edward Van Halen and Eric Clapton's monikers decorated the same spaces. A new speed king had arrived, and no sooner than he dropped jaws with the untitled solo piece preceding "Hot On Your Heels" on Steeler's debut, he did hard time in Alcatrazz.
No Parole From Rock 'N' Roll heralded a new force, a mercurial fretster commanding speed and taste (some would dispute the latter.) But one thing remained certain: rock music claimed a new enfant terrible. Like him or not, the cocksure musician knew his destiny - and it lay outside Alcatrazz.
Things took flight with Rising Force, the 1984 firestorm that garnered Grammy notice and "Album of the Year" accolades from Guitar Player magazine. The mostly instrumental effort virtually invented neoclassical shredding, distilling Ulrich Roth and J.S. Bach into something new.
"That was a great time," says Malmsteen. "But it was only the beginning."
Whether released under Rising Force or Yngwie J. Malmsteen nameplates, subsequent releases would feature a revolving door of talent. But each disc followed s singular vision, trends notwithstanding.
"You're not going to achieve credibility by following any scene," says Malmsteen. "Do what you want, and you will never lose yourself."
Confident words, but then confidence has never eluded the musician. He's mellower these days, having traded booze and debauchery for Florida family life. But his music remains aggressive. The newly released Attack!! proves it.
Not only do U.S. pressings feature bonus tracks (how'd that happen?!), it's crisper and more immediate than his last several outings. Engineer Tom Fletcher (Toto, Yes) ensured that sonic stamp.
"I just went for is, and I think it shows," says Malmsteen.
Fans will decide for themselves when Malmsteen hits the road in March. Paired with George Lynch, the double bill should thrill guitar fans and validate an Attack!! of uncommon confidence. After all, it's not just anyone who would slap two - count 'em, two - exclamation points to his latest effort.
Before Malmsteen packs his bags, let's catch up with the cell phone-toting maniac terrorizing Miami motorways.
Where are you?
Driving down Biscayne Boulevard!
We'll try to avoid any accidents.
(laughs) That would be good.
Attack!! lives up to its name. Not only is the production sharper, but you sound more focused than you have in years.
It came about in a little bit different manner than the last three albums. First of all, the concept was there wasn't a concept. I wouldn't play anything for the guys; I'd just write stuff. I had no one in the room with me - no drum programmer or keyboard player when I was writing. I was just writing songs more or less alone.
My drummer, Patrick (Johansson), came down and I said, "OK, here's the way the song is." The first time he plays the song is the way you hear it on the album.
It was the same thing with Dougie. I'd call him up and say, "Here's the melody," and he'd knock it out in the first take without hearing the music. Usually, what happens is you write the songs and demo them and make them almost perfect. And you rehearse the band in the same room and everyone knows what to do and you go in to record it.
The spontaneous approached surprises me. I always figured you for a perfectionist.
My middle name is FT: First Take. If I don't get it done the first time around, I don't like to beat it to death. A lot of cats want to make live shows sound like albums; I want to make albums sound like the live show.
Where there's that element of surprise where anything can happen.
Exactly. That's the essense of music. Everyone thinks I'm some sort of calculating dude. It's not like that at all.
What was your goal with the new material compared with War To End All Wars and your last few albums?
No goal. No direction. No concept. No nothing. Just make it flow. If it sounds good, use it. Even though the band wasn't playing together, it was the most live-sounding record I've ever made.
Did you record the parts separate?
No. I have two studios and Patrick ... he recorded drums in my studio called Baroque And Roll. And I put all bass and guitars on, and Derek (Sherinian) came in and did keyboards. And Dougie knocked out the vocals.
At Baroque And Roll?
At the other studio, 308.
308?
Yeah, it's named after my Ferrari.
You only have one Ferrari?
(laughs) OK, it's named after my favorite Ferrari.
Didn't your accident a few years back happen in a Ferrari?
No, that was a Jaguar.
You were known as a party animal in those days: drinking, reckless driving. Then you settled down, had a family and bought a house. Yet your music is heavier than ever. Did the aggression you channeled into partying wind up more focused in your music?
That's a good question. Way back when I was a womanizing, drug-using, drinking, crazy mother*****er, I wrote one of the wimpiest songs I ever wrote: "Heaven Tonight." ****** fag shit! Now, I'm very stable with my life. I have a regimen: I get up, play tennis and go to the studio, and it's a very focused environment. And having a kid made a big difference.
Yet your music sounds more savage despite your newfound lifestyle.
I live in paradise. From my kitchen, I look at swaying palm trees and blue water and write about the devil (laughs). Go figure. I'm more focused and prolific now than when I was wild. I'm still wild, though.
Just not as destructive.
Yeah.
You spoke about a regimen. Doesn't touring interrupt that routine?
On tour, it's a different kind of regimen. You do sound checks, get keyed up, rock for a couple hours. You know the drill.
Exactly. Let's talk about War To End All Wars, an album reviled for its production. What went wrong?
It was a number of things. I was going for more of a dark sound, and I hired this engineer that wasn't very good, I'm afraid. He didn't understand what I wanted, and I had a lot of problems with management. But I still think it's a good album. The songs are really good, extremely good live songs. They really come across well live.
It must be frustrating having quality material buried under a muddy mix, so to speak.
Well, today's a new day. Tomorrow's the next day. I don't dwell on that kind of shit.
Accentuate the positive.
Absolutely.
How did Yngwie Malmsteen land a contract with Epic at a time when metal - true, powerful metal - is virtually shunned in the U.S.?
I think there's a number of reasons. I think (background skidding, car horn blaring) Whoa! I almost had a car accident there!
We don't want this interview to hurt anyone.
Yeah (laughs). Anyway, there's a resurgence of melodic hard rocking metal. Because the '90s were dark days indeed.
You're saying there's a melodic metal resurgence in America?
Yeah. I'm 100-percent sure. But ending up on Epic, it was a combination of my wife being my manager. She really constructed a deal with them and made me achieve this. Attack!! is a pretty good album, too.
I understand that Rudy Sarzo has just been added to your touring band. Had you guys known each other before?
I've known Rudy for quite some time. He's a great guy. In fact, we actually opened up the Miami Hard Rock Cafe together on opening night. Me and Rudy and a drummer. Rudy comes over to my house and we drink wine, just hanging out.
Dougie White, Rudy Sarzo, Derek Sherinian, Patrick Johansson. You've got quite a lineup.
Derek's not doing the tour, though. He only did the recording.
bersambung |
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sambungan
Joe Lynn Turner and I were talking a few months ago, and we agree that Odyssey is among your best overall albums. It's got everything: power metal, ballads, instrumentals. Did his involvement make that particular album stand out in your mind, or is it simply another project to you?
I disagree in a most severe way. It's the weakest album I ever made.
Really? You think so?
It's not a bad album, but not a good one because of all the tragedies that happened.
The car crash...
Yeah, and my mother dying. Now I'm in control and really getting everything recorded the way I want it. I want to make albums I like. When I'm dust, I want people to know what I put down is what I wanted to do. I tried to play along with that (the pop metal trend) before. I mean, Odyssey is good, but that is not the way I want to make albums.
You're an artist and don't want to compromise.
I'm an artist period. You can't buy me. I am not for sale. If you want to buy what I make, that's wonderful. I'd rather sell out a phone booth and play music that really means something than play *****in' Madison Square Garden with some bullshit.
You've released so many albums over the years, but one that's stuck with me is Alcatrazz' No Parole From Rock 'N' Roll. Is there any chance of you and Graham Bonnet collaborating again, or was the split less than amicable?
They actually called me a little over a year ago. They called me up for a reunion. I wasn't saying no, but we were just talking. When we (Malmsteen, Joe Satriani and Steve Vai) did the G3 tour, the (Alcatrazz) drummer (Jan Uvena) came to some of the shows. So yeah, I've been talking to everybody. I mean, at the time (early-'80s), we had a few run-ins.
So did those talks go anywhere?
I had a different manager, and nothing ever came out of it.
Would you like to do that, have an Alcatrazz reunion?
Yes. But I'm really busy now. I just recorded 40 new songs and am going back on the road.
You mentioned G3. That must have been quite a tour. Did you and Joe and Steve get along?
I've known Steve for 20 years.
From when he took your place in Alcatrazz?
Yeah. And Billy Sheehan's a great friend of mine. He was on the (G3) tour, too (in Vai's band).
What were the high points?
I don't remember exactly (laughs). But it was great.
Did you know Steve before Alcatrazz?
When I left Alcatrazz, they had him come in. We got together, our managers and us. We had barbecues. He'd come over to my house.
OK. I can resist no longer. What's the real story behind the infamous "unleash the ****** fury" tape?
(laughs) What happened was a sick story, but a true one. Back in 1988, I was flying to Japan for a tour and everyone was sitting in first class. Me and Joe (Lynn Turner) got *****ed up really bad. My keyboard player was being really nasty.
Jens Johansson?
Yeah. When served dinner, he put Bloody Mary mix on a female napkin. We were screaming and yelling and drinking all the cognac. After a while, we fell asleep. All of a sudden, this lady pours a pitcher of ice water on us. I wasn't happy about that.
I'll bet.
I tried to kill her, but her bodyguard brought me down. And I said, "You release the ****** fury."
In the "Guilty Pleasures" section of the new Guitar World magazine, you cite Abba's "Gimme! Gimme! Gimme! (A Man After Midnight)" as a favorite song. Any other favorites that might surprise your fans?
I like ZZ Top. Queen. Genesis.
I know you're a big Evanescence fan, too.
Absolutely. They're a really good band.
That might surprise your fans. They probably think Rainbow and Bach rule your CD collection.
When I hear something that is good, it's good. What's good is good, and what's bad is bad. Like you. You're a writer. If you can't spell, you can't write. If you can't play an instrument, you can't play good music. It's not a matter of taste; it's good or it's bad.
You're about to hit the road. Is there anywhere you haven't played?
I haven't played Africa.
Are there many African Yngwie Malmsteen fans?
I'm not sure.
Yngwie, thanks for the time. I'll let you go before you wreck another car.
Keep up with Yngwie at www.yngwie.org. |
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Event Title:
LAMC Productions Pte Ltd
present(s)
Deep Purple - The Banana's Tour Singapore
Venue:
Fort Canning Park
Fort Canning Centre, Cox Terrace
more ...
Prices :
Early Bird (16 Feb-11 Mar) - $54
Early Bird (12 Mar - 8 Apr) - $60
On Concert Days - $66
*VIP Pass - $160
( Excludes GST & SISTIC fee per ticket )
No admission for infant in arms & child aged below years 6 old. Child 6 years old and above must purchase ticket for admission.
Event Type:
Concert
Date & Time Range:
10 Apr 2004 (Sat), 8.00 PM
Duration of Performance:
Approx 2 hrs
Interval: N.A
Promoter:
LAMC Productions Pte Ltd
Internet Booking starts on 16 Feb 2003, 9am.
Public Sales starts on 16 Feb 2003, 10am.
*VIP Pass:
A very limited amount of exclusive Deep Purple VIP Passes are available for $160 per person. VIPs receive a specially designed DEEP PURPLE VIP Pass that provides exclusive access to the pre-show VIP Hospitality Suite plus access to the private stagefront VIP viewing area at Fort Canning. VIP ticket holders can collect their Passes on the day of the show at the VIP Counter near the main entrance to Fort Canning
;) |
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sajer naikkan thread ni ...
sapa yg ada idea nak sambung pasal metal .. silakan sambung ...
dlm seminggu lebih ni ...
Fly dok dengar lagu rock ...
tp tak tau category aper yg tau rock
Fly ada dengar lagu dr Cradle of Filth, Benjamin Breaking, Tools, Disturbed (yg tv dok tayang vc Stupidfy), then Lacuna Coil ... n etc etc ......
yg menarik minat Fly lagu Cradle of Flith - Nephytamine, Lacuna Coil ... |
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nak tanya ... kumpulan Benjamin Breaking, Tool .. Helmet .. ni rock aper?
cam ne nak tau suatu group tu .. diorg ni grunge rock, gothic rock, hard rock, metal etc etc ...... |
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Originally posted by fly_in_d_sky at 9-1-2005 01:49 PM:
sajer naikkan thread ni ...
sapa yg ada idea nak sambung pasal metal .. silakan sambung ...
dlm seminggu lebih ni ...
Fly dok dengar lagu rock ...
tp tak tau catego ...
k, kalo ada time, apa2 pasal berita music heavy rock saya update kat sini...
bands fly sebut smua me tak dengar la, even Cradle Of Filth me tak paham....me tak suka vokalis dia punya suara......
tapi dia ada satu ablum dah lupa title, its a concept album pasal Elizabeth Bathory ke apa,
the princess zaman dulu kat those medieval castle yang mandi darah anak dara beratus2 orang untuk awet muda...tu album muzik dia boleh tahan... |
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Originally posted by fly_in_d_sky at 9-1-2005 06:39 PM:
nak tanya ... kumpulan Benjamin Breaking, Tool .. Helmet .. ni rock aper?
cam ne nak tau suatu group tu .. diorg ni grunge rock, gothic rock, hard rock, metal etc etc . ...
ni pung smua tak pernah dengar....
cuma u mentioned Disturbed...dia punya 1st album bagus....
and Lacuna Coil vokalis dia pompuan kan? pun tak pernah dengar... |
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mmm semua nama band nih
Fly dpt tau dari dengar radio internet
ntah nape tetiba telinga ni nak sgt dengar lagu rock
tak kisah metal, hard rock .... janji rock
kalau gune broadband n ada winamp ...
pegi ke site nih
:dia: http://mfkr.arcticpalace.org/ns/shoutcastdetails.html
:dia: http://mirror.candidhosting.com:8000/
dua internet radio mmg pasang lagu rock ...
yg selalu diorg pasang Godsmack, Breaking Benjamin, Cradle of Filth, Incubus, Nirvana, AC/DC, Tool, Linkin Park, Van Halen, Disturbed ... lain tak ingat ....
kalau ingat Fly senaraikan .... |
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lagi Korn, Papa Roach .. sometimes Offspring ...
so far yg lum pnah dengar ..... lagu Halloween, Manowar ...
kebanyakkan rock yg diorg selalu pasang yg dari generasi terbaru ....
tu pasal deaf tak pnah dengar ......
lagi satu lagu dari Marilyn Manson .......
[ Last edited by fly_in_d_sky on 11-1-2005 at 09:07 PM ] |
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lagu Cradle of Filth yg kira hot ...
Nymphetamine (Overdose) - album: "Nymphetamine" (2004)
Evanescent like the scent of decay
I was fading from the race
When in despair, my darkest days
Ran amok and forged her face
From the fairest of handmaidens to
A slick perverted wraith
Nymphetamine
Heaving midst narcissus
On a maledict blanket of stars
She was all three wishes
Sex, sex, sex
A lover hung on her death row
I was hooked on her disease
Highly strung like Cupid's bow
Whose arrows hungered meat
And the blinding flare of passion
In the shade of narrow streets
Where their poison never rationed
All the tips they left in me
Two tracks
Bric-a-brac
Something passed between us
Like a bad crack
Upward-lit
I'd met another kind
Of rat
In fact
With every rome inside me
Licked and ransacked
She haunted at the corners of my mind
In black
Cataracts
Wouldn't whitewash away
Her filthy smoke stack
She burnt me like a furnace
For my future suicide
Lead to the river
Midsummer, I waved
A 'V'' of black swans
On with hope to the grave
All through Red September
With skies fire-paved
I begged you appear
Like a thorn for the holy ones
Cold was my soul
Untold was the pain
I faced when you left me
A rose in the rain
So I swore to the razor
That never, enchained
Would your dark nails of faith
Be pushed through my veins again
Bared on your tomb
I'm a prayer for your loneliness
And would you ever soon
Come above unto me?
For once upon a time
From the binds of your lowliness
I could always find
The right slot for your sacred key
Six feet deep is the incision
In my heart, that barless prison
Discolours all with tunnel vision
Sunsetter
Nymphetamine
Sick and weak from my condition
This lust, a vampyric addiction
To her alone in full submission
None better
Nymphetamine
Nymphetamine, nymphetamine
Nymphetamine girl
Nymphetamine, nymphetamine
My nymphetamine girl
Wracked with your charm
I am circled like prey
Back in the forest
Where whispers persuade
More sugar trails
More white lady laid
Than pillars of salt
Fold to my arms
Hold their mesmeric sway
And dance her to the moon
As we did in those golden days
Christening stars
I remember the way
We were needle and spoon
Mislaid in the burning hay
Bared on your tomb
I'm a prayer for your loneliness
And would you ever soon
Come above unto me?
For once upon a time
From the binds of your lowliness
I could always find
The right slot for your sacred key
Six feet deep is the incision
In my heart, that barless prison
Discolours all with tunnel vision
Sunsetter
Nymphetamine
Sick and weak from my condition
This lust, a vampyric addiction
To her alone in full submission
None better
Nymphetamine
Sunsetter
Nymphetamine (Nymphetamine)
None better
Nymphetamine
Two tracks
Bric-a-brac
Something passed between us
Like a bad crack
Upward-lit
I'd met another kind
Of rat
In fact
With every rome inside me
Licked and ransacked
She haunted at the corners of my mind
In black
Cataracts
Wouldn't whitewash away
Her filthy smoke stack
She burnt me like a furnace
For my future suicide
Nymphetamine (Fix) - album: "Nymphetamine" (2004)
[BONUS TRACK]
Lead to the river
Midsummer, I waved
A 'V' of black swans
On with hope to the grave
All through Red September
With skies fire-paved
I begged you appear
Like a thorn for the holy ones
Cold was my soul
Untold was the pain
I faced when you left me
A rose in the rain
So I swore to the razor
That never, enchained
Would your dark nails of faith
Be pushed through my veins again
Bared on your tomb
I am a prayer for your loneliness
And would you ever soon
Come above unto me?
For once upon a time
From the binds of your lowliness
I could always find
The right slot for your sacred key
Six feet deep is the incision
In my heart, that barless prison
Discolours all with tunnel vision
Sunsetter
Nymphetamine
Sick and weak from my condition
This lust, a vampyric addiction
To her alone in full submission
None better
Nymphetamine
Nymphetamine, nymphetamine
Nymphetamine girl
Nymphetamine, nymphetamine
My nymphetamine girl
Wracked with your charm
I am circled like prey
Back in the forest
Where whispers persuade
More sugar trails
More white lady laid
Than pillars of salt
(Keeping Sodom at night at bay)
Fold to my arms
Hold their mesmeric sway
And dance to the moon
As we did in those golden days
Christening stars
I remember the way
We were needle and spoon
Mislaid in the burning hay
Bared on your tomb
I am a prayer for your loneliness
And would you ever soon
Come above unto me?
For once upon a time
From the binds of your lowliness
I could always find
The right slot for your sacred key
Six feet deep is the incision
In my heart, that barless prison
Discolours all with tunnel vision
Sunsetter
Nymphetamine
Sick and weak from my condition
This lust, a vampyric addiction
To her alone in full submission
None better
Nymphetamine
Sunsetter
Nymphetamine
None better
Nymphetamine
Nymphetamine, nymphetamine
Nymphetamine girl
Nymphetamine, nymphetamine
My nymphetamine girl
source : darklyrics.com |
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Post time 2-2-2004 05:40 AM
Author
( aku masih tak bleh imejin hujan darah kat lagu raining blood sampai satu stage banjir darah cammana dorang buat ).
