Joe Flizzow Tujukan Lagu Kepada Malique ?

fellahumaira · Post time 10-7-2014 05:06 PM

alaa..ngape ngn malique..iols suke sgt ngn dia..very the genius..

datinmarissa · Post time 10-7-2014 05:16 PM

nk story bole...tp mesti korang x percaya.

sy pernah kawan rapat and dating malique circa 2001. tp x lama, kejap je...sbb sy kurang suka cara dia.
that time intan sarafina pun tgh sibuk cucuk jarum.

masih sy simpan present rantai pendant star dr malique. dia beli kat jakarta masa ada show kat sana.

that time malique tinggal kat kondo pantai, bangsar.

lnakass · Post time 10-7-2014 06:19 PM

berun posted on 10-7-2014 03:00 PM
so zamani x hisap dadah la?

Based on apa yng member adik ckp, dia ckp zamani sakit. Sakit sbb effect hisap dadah ke apa ke taktahu la pulak. Wallahualam.

miminn · Post time 11-7-2014 12:43 PM

berun posted on 10-7-2014 03:01 PM
apasal dengan industri muzik malaysia?

Source: http://www.the-wknd.com/wp-content/uploads/2013/12/ProjekBuku.pdf

Music has always been my way of running from things. I love living with and
around it. I’ve graduated from underground to the mainstream only to discover
that there were two sides to music.

Until I was 20, I was connected to music as a fan. Once there was Too Phat,
things changed. And more importantly, once I started my solo career and
formed my own label and publishing, I learned even more. I discovered that
besides music, there is the Music Business. And thats what usually fxxks things
up. Most artistes who do not discover this and who have no understanding of
how things go within the ‘industry’ in Malaysia, often end up with a short lived
career.

As far as making and producing songs are concerned, I am not worried at all. I
know I write good shit. What worries me most of my time is how to sell it. From
radio stations who do not push it because of personal and business reasons,
to so-called fans who only know how to download and not purchase - none of
them contribute to the positive growth of an artiste. At the end of the day, it is
almost impossible to make a living out of music even though you can get all the
compliments or respect in the world. That is when the artiste gets even more
confused of his presence.

I came to a conclusion that warns; “dont ever believe what you see on TV, and
dont ever believe what you hear on CD”. All these local stars people worship
and adore - I know most of them. What is presented and portrayed is hardly the
truth. There are a million different factors that affect the final cuts you see on TV
and the mastered songs you hear on CD. There are a lot of lies and deceptions
behind the scenes that allow any big organization or well-connected person
to pimp anybody at all and make them big. And they get away with it too. All
you need to become a star nowadays is a good story. Talent is not as important
since the mass public is so easily deceived by advertising and marketing.
I often ask myself why I’m doing all this. Who am I doing it for? I don’t know, I
just have nowhere else to go. I’ve done this for so long that I’m stuck here.
Sweet or bitter, I will probably be here and do this until I am gone.
I am waiting for the day something will change, a change of system that
allows both musicians and their business partners to prosper fairly without
compromising one or the other. Until that day, I will continue to be the grumpy
rapper who hides in other people’s darkness, because only there am I safe
within the industry. Visuals in a business of audio in Malaysia, is sheer suicide.

Peace, M.